What did Phil Spector call his recording technique?
The Wall of Sound
The Wall of Sound (also called the Spector Sound) is a music production formula developed by American record producer Phil Spector at Gold Star Studios, in the 1960s, with assistance from engineer Larry Levine and the conglomerate of session musicians later known as “the Wrecking Crew”.
What musical techniques did Phil Spector develop?
Phil Spector was the most famous and influential producer in the history of rock music. He was known for producing a distinctive “wall of sound,” in which a number of instruments are blended together to create a single effect.
What is the Wall of Sound recording technique?
Those walls were real, but the “wall of sound” wasn’t. It was a world-changing recording technique that involved meticulous multi-tracking, sometimes with various instruments playing the same melody, until a simple pop song achieved symphonic saturation.
What Reverb did Phil Spector use?
Spector became famous for his “Wall of Sound” approach, which relied on dense arrangements and liberal double-tracking to create huge-sounding mixes. Reverb—specifically, the natural reverb from the echo chambers at Gold Star—was the mortar that held the “Wall” together.
Which of the following is a good description of the Wall of Sound technique?
The Wall of Sound was a meticulous and layered approach to recording, smacking a listener with a dense, almost symphonic array even on basic rock ‘n’ roll tunes. It made Spector one of rock music’s first auteurs and one of its most successful producers in a thriving era for pop music.
What was the group that was out of the norm for Spector?
The Ronettes | |
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The Ronettes in 1966 (l–r): Talley, Spector, and Bennett | |
Background information | |
Also known as | The Darling Sisters Ronnie and the Ronettes |
Origin | New York City, New York, U.S. |
What is the Wall of Sound by Phil Spector?
What is natural reverb?
Natural reverb in music is simply achieved by recording in a reverberant space, a space which creates room noise that’s captured in the recording. Because the reverb must be captured in the recording process, studios invested in custom-built recording rooms to achieve the sound that they were after.